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Director - Karen Soderberg-Sarnaker Dr. Sarnaker's choral program is noted for its excellence, and, for its performances of music of many cultures. Highlights of the choral program include performances of Handel's Messiah, Brahms's German Requiem, Orff's Carmina Burana, Poulenc's Gloria, Hadyn's Nelson Mass, Mozart's Requiem with professional orchestras and soloists. Dr. Sarnaker has also conducted the Goldsmiths University of London Chamber Choir and University Chorus. She also performed with the Kalina Choir, who specializes in Russian Choral Music, at the Royal Festival Hall in London, England and the Asia Pacific International Choral Institute Chamber Choir in Singapore. She will be taking the FSU Chamber Choir to China this spring performing in Beijing and Chansha, Hunan. She is active
as a guest conductor, solo performer, adjudicator and clinician. Tenor
Jonathan Hodel Dr. Hodel has appeared in opera, concert and oratorio in the United States and in Europe. With over thirty-five roles in his repertoire, he has appeared the Pittsburg Opera, Opera San Jose, Asheville Lyric Opera, Bayshore Lyric Opera, St. Petersburg Opera, the Heschise-Stattstheater (Wiesbaden, Germany), the Compagnia d'opera italiana di Milano international tour, the Pine Mountain Music Festival and the Breckenridge Music Festival. He was an apprentice artist with Central City Opera, Opera Theater of Saint Louis and the John E. Connelly Pittsburgh Opera Center at Duquesne, where he performed the role of Rinuccio in the world premier of Michael Ching's, Buoso's Ghost. As soloist, Dr. Hodel has performed Mendelssohn's Lobgesang, Beethoven's Ninth Symphony and Choral Fantasy, Berlioz's Te Deum, Britten's St. Nicolas, Handel's Messiah, Rachmaninov's The Bells and Verdi's Requiem. Mezzo-Soprano
Patricia Kelby After moving to New York, she continued her studies with the renowned Marinka Gurewich, performed at Carnegie Hall and as a soloist on several occasions with the American Symphony Orchestra under the baton of Maestro Leopold Stokowski. She has performed both staged and concert versions of many operas, including Aida, Don Carlos, Carmen, Cosi Fan Tutte, Cavalleria Rusticana, Samson et Dalila, Der Fliegende Hollander. She is equally at home with lieder, art songs, and musical theater pieces. Ms. Kelby also maintained a voice studio in Westchester County, New York. Because of her love of the great sacred choral literature, she continues to do solo work with many choral/orchestral groups, including the acclaimed Festival Choir and Orchestra, and in collaboration with her colleague, Judith Brown, conducts yearly choral workshops and clinics. Always a student, she annually attends Voice Department Master Classes at the Chautauqua Institution's eight-week program; Marlena Malas, Clarinetist
and Theory Professor Mark Gallagher
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